Sacred Land Film Project has completed our 2009 annual report summarizing the year and recent production work on our new film series “Losing Sacred Ground.” You can download the report, titled “If We Don’t Laugh, We’ll Cry” now.

Here’s a sneak preview:

In northern California, soft October light shimmered on the McCloud River as Winnemem Wintu leaders Caleen and Mark Sisk-Franco showed us signs of ancestral villages. The grinding rocks, home sites and burials will be submerged if Shasta Lake, the enormous reservoir held back by Shasta Dam, is enlarged by the U.S. Bureau of Reclamation, and backs further up into this wild stretch of the McCloud River.

Upstream from the houseboats, marinas and weekend fishermen, a tall boulder balances over a deep, shining pool named for the sucker fish spirit that inhabits it. If the dam is raised, the Winnemem will never see the Sucker Pool again. For generations, young warriors and leaders have swum across the pool as part of their initiation rites.

Mark and Caleen knelt on the shore, lit a pipe, put hands in the water and prayed for the sacred site as Will Parrinello filmed this quiet healing and blessing ceremony. “This is not a recreation area to us, it is a life way,” Caleen said later. “I had to swim across this pool, years ago. To think we might lose it breaks my heart.”

For the Winnemem, it was a bittersweet year. After strong local resistance, Nestlé dropped plans to bottle millions of gallons of pure water from within Mt. Shasta that would have threatened the mountain’s artesian springs. But high on the mountain’s slopes visitors continue to dump human cremation ashes in the Winnemem’s sacred spring, causing ecological harm to a pristine meadow and water source, and wreaking spiritual havoc by defiling the tribe’s origin place.

Facing daunting odds the Winnemem fight on, like indigenous communities all around the world. Their tenacity and sense of humor give me hope. “We will endure no matter what,” says Caleen, “and if we don’t laugh, we’ll cry.”

Read the full version of Sacred Land Film Project’s 2009 Annual Report.